BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby BEGIN:VEVENT SEQUENCE:0 DTEND:20080712T000000 DTSTART:20080711T010000 UID:2008-07-04T13:49:54-04:00_476827318@richard.asmallorange.com DTSTAMP:20080704T134954 SUMMARY:Deadline for Early-bird Registration END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080824T053000 DTSTART:20080824T093000 UID:2008-07-04T13:49:54-04:00_918578157@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:We have organised a special tour to the North Antrim coast for delegates wishing to experience two of Northern Ireland's most celebrated f eatures: the Giant's Causeway and the Bushmills Distillery. SUMMARY:Tour to the Giant's Causeway and the Bushmills Distillery END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T102000 DTSTART:20080825T090000 UID:2008-07-04T13:49:54-04:00_556496564@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:RECENT DEVELOPMENTS IN THE DIFFERENT STROKES ENVIRONMENT : Mark Zadel Gary Scavone \n\nA TOOLKIT FOR MUSIC AND AUDIO ACTIVITIES ON THE XO COMPUTER : Victor Lazzarini \n\nI-MAESTRO: TECHNOLOGY-ENHANCED LEARNING FOR MUSIC : Kia Ng \n\nA UNIFIED MODEL FOR AUDIO AND CONTROL SIGNALS IN PWGLSY NTH : Vesa Norilo Mikael Laurson \n\n SUMMARY:Paper Session \nLanguages and Environments 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T120000 DTSTART:20080825T103000 UID:2008-07-04T13:49:54-04:00_118139235@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:SPLIT-SIDEBAND SYNTHESIS : Victor Lazzarini Joseph Timoney Thom as Lysaght \n\nSTOCHASTIC RESONANCE SOUND SYNTHESIS : Rodrigo Cadiz Patrici o de la Cuadra \n\nANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION : Wasim Ahmad Hüseyin Hacihabiboglu Ahmet M Kondoz \n\nVOICE SYNTHESIS USING THE GENERA LIZED PRESSURE-CONTROLLED VALVE : Tamara Smyth \n\n SUMMARY:Paper Session \nSound Synthesis END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T105000 DTSTART:20080825T090000 UID:2008-07-04T13:49:54-04:00_894515674@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTI NG BABBLING ROBOTS : Eduardo Miranda \n\nTECHNOLOGY\, REAL-TIME NOTATION\, AND AUDIENCE PARTICIPATION IN FLOCK : Jason Freeman Mark Godfrey \n\nTWO AP PROACHES FOR INTERACTION MANAGEMENT IN TIMBRE-AWARE IMPROVISATION SYSTEMS : William Hsu \n\nTABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RE SYNTHESIS : Parag Chordia Alex Rae \n\nANTESCOFO: ANTICIPATORY SYNCHRONIZAT ION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC : Arshia Cont \ n\n SUMMARY:Paper Session \nInteraction and Improvisation 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T120000 DTSTART:20080825T110000 UID:2008-07-04T13:49:54-04:00_8136438@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:AUTOMATIC FITNESS IN GENERATIVE JAZZ IMPROVISATION : Kjell Bäc kman \n\nEXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING : A lfonso Perez Carrillo Esteban Maestre Stefan Kersten Rafael Ramirez Perez \ n\nTHE CYCLOTRON: A TOOL FOR PLAYING WITH TIME : Dan Trueman \n\n SUMMARY:Paper Session \nComputational Modeling of Music END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T171500 DTSTART:20080825T155500 UID:2008-07-04T13:49:54-04:00_173156671@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:REINFORCEMENT LEARNING FOR LIVE MUSICAL AGENTS : Nick Collins \ n\nEXPLORING NEW COMPOSER/PERFORMER INTERACTIONS THROUGH REAL-TIME NOTATION : Christopher McClelland Michael Alcorn \n\nTIME AFTER TIME : SHORT-CIRCUI TING THE EMOTIONAL DISTANCE BETWEEN ALGORITHM AND HUMAN IMPROVISORS : David Plans Casal \n\n SUMMARY:Paper Session \nInteraction and Improvisation 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T171500 DTSTART:20080825T155500 UID:2008-07-04T13:49:54-04:00_690710053@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:PROJECT LOVELACE: TEENAGE GIRLS AND TECHNOLOGY-BASED COMPOSITIO N : Mary Simoni Betty Anne Younker \n\nWEEDS IN THE CRACKS: INTERDISCIPLINA RITY AND MUSIC TECHNOLOGY IN HIGHER EDUCATION : Carola Boehm \n\nANALOGUE T O DIGITAL: AUTHENTICITY VS. SUSTAINABILITY IN STOCKHAUSEN'S MANTRA (1970) : Xenia Pestova Mark Marshall Jacob Sudol \n\n SUMMARY:Paper Session \nAesthetics\, History\, and Philosophy 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T103000 DTSTART:20080826T090000 UID:2008-07-04T13:49:54-04:00_712676178@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES : Kia Ng \n\nGENERATING TARGETED RHYTHMIC EXERCISES FOR MUSIC STUDENTS WITH CONSTRAINT SATISFACTION PROGRAMMING : Graham Percival Torsten Anders George Tzanetakis \n\nHIGH-PERFORMANCE AUDIO COMPUTING --- A POSITI ON PAPER : Richard Dobson John ffitch Russell Bradford \n\nQ3OSC OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE GAME : Robert Hamilton \n\n SUMMARY:Paper Session \nMiscellaneous END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T120000 DTSTART:20080826T104000 UID:2008-07-04T13:49:54-04:00_911927777@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:STABILITY SPACE AND THE BELOW-N THRESHOLD: A COMPUTATIONAL APPR OACH TO MUSIC ANALYSIS : Mike Solomon \n\nRAMEAU: A SYSTEM FOR AUTOMATIC HA RMONIC ANALYSIS : Pedro Kroger Alexandre Passos Marcos Sampaio Givaldo Cidr a \n\nIMPROVEMENTS OF SYMBOLIC KEY FINDING METHODS : Matthias Robine Thomas Rocher Pierre Hanna \n\n SUMMARY:Paper Session \nComputational Music Analysis 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T095000 DTSTART:20080826T090000 UID:2008-07-04T13:49:54-04:00_190161912@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRA MMING : Torsten Anders Eduardo Miranda \n\nFLEXIBLE CONTROL OF COMPOSITE PA RAMETERS IN MAX/MSP : Timothy Place Trond Lossius Alexander Refsum Jenseniu s Nils Peters \n\n SUMMARY:Paper Session \nAlgorithmic Composition Tools 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T120000 DTSTART:20080826T100000 UID:2008-07-04T13:49:54-04:00_313268338@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:NETWORK MUSICS - PLAY\, ENGAGEMENT AND THE DEMOCRATIZATION OF P ERFORMANCE : David Kim-Boyle \n\nPLAYING THE NETWORK: THE USE OF TIME DELAY S AS MUSICAL DEVICES : Juan-Pablo Caceres Alain B. Renaud \n\nTOWARDS THE I MPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DI AMOUSES APPROACH : Chrisoula Alexandraki Panayotis Koutlemanis Petros Gaste ratos Demosthenes Akoumianakis Giannis Milolidakis Nikolas Valsamakis \n\nP ARAMETER CONTROLLED REMOTE PERFORMANCE (PCRP): PLAYING TOGETHER DESPITE HIG H DELAY : Aristotelis Hadjakos Erwin Aitenbichler Max Mühlhäuser \n\n SUMMARY:Paper Session \nNetwork Performance END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T104000 DTSTART:20080827T090000 UID:2008-07-04T13:49:54-04:00_649099849@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS? : Ge Wang Georg Essl Henri Penttinen \n\nWORLDSCAPE LAPTOP ORCHESTRA : Alex Harker Angie At madjaja Jethro Bagust Ambrose Field \n\nNRCI: SOFTWARE TOOLS FOR LAPTOP ENS EMBLE : Christopher Burns Greg Surges \n\nSOUND COMMUNICATION: A STANDARD S YNTAX FOR INTER-APPLICATION\, INTER-DEVICE AND INTER-PLAYER COMMUNICATION O VER OSC : Scott Hewitt Pierre Alexandre Tremblay \n\n SUMMARY:Paper Session \nMobile Computer Ensemble Play END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T171500 DTSTART:20080827T155500 UID:2008-07-04T13:49:54-04:00_118556025@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:AN INSTANCE-BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE D URING COMPOSITION : Alexis Kirke Eduardo Miranda \n\nINFNO: GENERATING SYNT H POP AND ELECTRONIC DANCE MUSIC ON DEMAND : Nick Collins \n\nTHE MUSICDB: A MUSIC DATABASE QUERY SYSTEM FOR RECOMBINANCE-BASED COMPOSITION IN MAX/MSP : James B. Maxwell Arne Eigenfeldt \n\nARTICULATED NOISE : Eric Lyon \n\n SUMMARY:Paper Session \nAlgorithmic Composition Tools 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T165500 DTSTART:20080827T155500 UID:2008-07-04T13:49:54-04:00_794379509@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:A FULL-BODY GESTURE RECOGNITION SYSTEM AND ITS INTEGRATION IN T HE COMPOSITION '3RD. POLE' : Miha Ciglar \n\nVOCABLE SYNTHESIS : Alex McLea n Geraint Wiggins \n\nDRAWING ELECTROACOUSTIC MUSIC : Jean-Baptiste Thiebau t Patrick G.T. Healey Nick Bryan Kinns \n\n SUMMARY:Paper Session \nInterface\, Gesture\, and Control 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T103000 DTSTART:20080828T090000 UID:2008-07-04T13:49:54-04:00_237106925@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MU SICAL PERFORMANCE CONTROL : Klaus Petersen Jorge Solis Atsuo Takanishi \n\n EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEM S : Enrico Cupellini Costantino Rizzuti Eleonora Bilotta Pietro Pantano Mic hael Wozniewski Jeremy Cooperstock \n\nINVESTIGATING ARTISTIC POTENTIAL OF THE DREAM INTERFACE: THE AURAL PAINTING : Ivica Bukvic Denis Gracanin Franc is Quek \n\n SUMMARY:Paper Session \nInterface\, Gesture\, and Control 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T120000 DTSTART:20080828T104000 UID:2008-07-04T13:49:54-04:00_102126101@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:TEXTURAL COMPOSITION: IMPLEMENTATION OF AN INTERMEDIARY AESTHET IC : Kerry Hagan \n\nSPECTRAL SPATIALIZATION - AN OVERVIEW : David Kim-Boyl e \n\nTHE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING : Matthew Bruns Gary Kendall \n\n SUMMARY:Paper Session \nSpatialization 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T105000 DTSTART:20080828T090000 UID:2008-07-04T13:49:54-04:00_667683960@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:MAXSCORE: MUSIC NOTATION IN MAX/MSP : Nick Didkovsky Georg Hajd u \n\nTHE NYQUIST COMPOSITION ENVIRONMENT: SUPPORTING TEXTUAL PROGRAMMING W ITH A TASK-ORIENTED USER INTERFACE : Roger Dannenberg \n\nNOT JUST MORE FMS : TAKING IT TO THE NEXT LEVEL : Tae Hong Park Zhiye Li Jonathan Biguenet \n \nFOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE : R ebecca Fiebrink Ge Wang Perry Cook \n\n SUMMARY:Paper Session \nLanguages and Environments 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T120000 DTSTART:20080828T110000 UID:2008-07-04T13:49:54-04:00_988805446@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEAD Y TEMPO : Bee Suan Ong Sebastian Streich \n\nVOICE SEPARATION IN POLYPHONIC MUSIC: A DATA-DRIVEN APPROACH : Anna Jordanous \n\nMULTI-AGENT MULTIMODAL PERFORMANCE ANALYSIS : Arne Eigenfeldt Ajay Kapur \n\n SUMMARY:Paper Session \nComputational Music Analysis 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T105000 DTSTART:20080829T090000 UID:2008-07-04T13:49:54-04:00_200095217@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:ANALYSIS\, VISUALIZATION\, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS : Bob Sturm Curtis Roads Aaron McLeran John Shynk \n\nDATA-DRIVEN RECOMPOSITION USING THE HIERARCHICAL DIRICHLET PROCES S HIDDEN MARKOV MODEL : Matthew Hoffman Perry Cook David Blei \n\nWHAT NEXT ? CONTINUATION IN REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS : Diemo Sc hwarz Sylvain Cadars Norbert Schnell \n\n"NDERGROUND SOUNDS"\; - EXPERI MENTING WITH THE SOUNDS OF EARTHQUAKES : Anna Saranti Manuela Meier \n\n SUMMARY:Paper Session \nSound Processing END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T120000 DTSTART:20080829T110000 UID:2008-07-04T13:49:54-04:00_147483357@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:DIGITAL MUSIC INSTRUMENTS AND SOUND EXPRESSION : Paulo Ferreira -Lopes Filipe Jensen \n\nA MULTILAYERED GDIF-BASED SETUP FOR STUDYING COART ICULATION IN THE MOVEMENTS OF MUSICIANS : Alexander Refsum Jensenius Kristi an Nymoen Rolf Inge Godøy \n\nMULTI-USER HAND GESTURE BASED MUSICAL ELEMEN T MAPPING WITH TRADITIONAL MUSICAL ELEMENTS : Yip Sang To Kam Wong \n\n SUMMARY:Paper Session \nInterface\, Gesture\, and Control 3 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T105000 DTSTART:20080829T090000 UID:2008-07-04T13:49:54-04:00_434079220@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:AUTHENTICITY AND EMULATION: CHIPTUNE IN THE EARLY TWENTY-FIRST CENTURY : Sebastian Tomczak \n\nTHE SPATIAL POLITICS OF RADIO: ANNA FRIZ'S CRITICAL UTOPIAS : Gascia Ouzounian \n\nTHE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY : Rob Godman \n\nWHAT IS A N EVENT? THE EVENT SCHEMA\, CIRCUMSTANCES\, METAPHOR AND GIST : Gary Kendal l \n\n SUMMARY:Paper Session \nAesthetics\, History\, and Philosophy 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T120000 DTSTART:20080829T110000 UID:2008-07-04T13:49:54-04:00_756064752@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:IN FLUX - A NEW APPROACH TO SOUND DIFFUSION PERFORMANCE PRACTIC E FOR FIXED MEDIA MUSIC : David Berezan \n\nSPATIAL SOUND RENDERING IN MAX/ MSP WITH VIMIC : Nils Peters Tristan Matthews Jonas Braasch Stephen McAdams \n\nA STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC : Sarah Adair \n\n SUMMARY:Paper Session \nSpatialization 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T163500 DTSTART:20080829T151500 UID:2008-07-04T13:49:54-04:00_866006812@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:MELODY MORPHING METHOD BASED ON GTTM : Masatoshi Hamanaka Keiji Hirata Satoshi Tojo \n\nTHE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WI TH RUBATO COMPOSER : Florian Thalmann Guerino Mazzola \n\nCONSTRAINT-BASED COMPOSITION IN REALTIME : Torsten Anders Eduardo Miranda \n\n SUMMARY:Paper Session \nAlgorithmic Composition Tools 3 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T104000 DTSTART:20080827T090000 UID:2008-07-04T13:49:54-04:00_74815859@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:LCAT STUDIO REPORT : Stephen Beck \n\nGOLDSMITHS ELECTRONIC MUS IC STUDIOS: 40 YEARS : Michael Young John Drever Mick Grierson Ian Stonehou se \n\nCONTINUAMENTE: INTEGRATING PERCUSSION\, AUDIOVISUAL AND IMPROVISATIO N : Jonatas Manzolli \n\nCNMAT STUDIO REPORT : Richard Andrews \n\nTHE MUSI C TECHNOLOGY PROGRAM AT MCGILL UNIVERSITY : Gary Scavone Nathan Whetsell \n \n SUMMARY:Paper Session \nStudio Reports 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080829T163500 DTSTART:20080829T151500 UID:2008-07-04T13:49:54-04:00_949858100@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:THE MEXICAN CENTRE FOR MUSIC AND SONIC ARTS STUDIO REPORT : Rod rigo Sigal \n\nSTUDIO REPORT: DIGITÓPIA AT CASA DA MÚSICA : Rui Penha Pau lo Rodrigues Fabien Gouyon Luís Martins Carlos Guedes Álvaro Barbosa \n\n NOVARS RESEARCH CENTRE\, UNIVERSITY OF MANCHESTER\, UK. STUDIO REPORT : Ric ardo Climent David Berezan Andrew Davison \n\nCCRMA STUDIO REPORT : Carr Wi lkerson Sasha Leitman Fernando Lopez-Lezcano \n\n SUMMARY:Paper Session \nStudio Reports 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T154500 DTSTART:20080825T151500 UID:2008-07-04T13:49:54-04:00_440796475@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:OWT: A REAL-TIME OPTIMAL TUNING APPLICATION : Wei Pan Micah Joh nson Larry Polansky Daniel Rockmore Douglas Repetto \n\nAPPLICATIONS OF GEO SCIENTIFIC SONIFICATION : Samantha Brough \n\nINTRODUCING VIDEO FEATURES AN D SPECTRAL DESCRIPTORS INTO THE OMAX IMPROVISATION SYSTEM : Georges Bloch S hlomo Dubnov Gérard Assayag \n\nIKLAX : A NEW MUSICAL AUDIO FORMAT FOR INT ERACTIVE MUSIC : Fabien Gallot Owen Lagadec Myriam Desainte-Catherine Sylva in Marchand \n\n SUMMARY:Demo Session \nDemos 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T154500 DTSTART:20080827T151500 UID:2008-07-04T13:49:54-04:00_392974886@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMB LED ACOUSMATIC MUSIC : Adrian Moore \n\nSTAGE-WORTHY BLUETOOTH SENSOR BOWS : Keith McMillen \n\nTHE ROSEGARDEN CODICIL: REHEARSING MUSIC IN NINETEEN-T ONE EQUAL TEMPERAMENT : Nicholas Bailey Graham Hair Douglas McGilvray Ingri d Pearson Amanda Morrison Richard Parncutt \n\nFREEDOM IN TAPESTREA! VOICE- AWARE TRACK MANIPULATIONS : Tom Lieber Ananya Misra Perry Cook \n\n SUMMARY:Demo Session \nDemos 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T171500 DTSTART:20080828T151500 UID:2008-07-04T13:49:54-04:00_840489957@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:MUSED DEMO : Graham Coleman \n\nINTERACTIVE COMPOSITION AND IMP ROVISATION ON THE HYPER-FLUTE : Cléo Palacio-Quintin Mark Zadel \n\nTWO NE TWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER_VOICES’ : Vincent Akkermans Than van Nispen tot Pannerden \n\nSPATIAL SWARM GRANULATION : Scott Wilson \n\nERRANT SOUND SYNTHESIS : Nick Collins \n\nAN INTERACTIVE BIO-MUSIC IMP ROVISATION SYSTEM : Koray Tahiroglu Hannah Drayson Cumhur Erkut \n\nADAPTIV E BOTTLE : Kamil Adiloglu Robert Anniés Klaus Obermayer Yon Visell Carlo D rioli \n\nPERFORMING THE CITY: AN URBAN PERFORMANCE WORKSHOP : G. Douglas B arrett Francesco Gagliardi \n\nINTEROPERABILITY AND THE MARSYAS-0.2 RUNTIME : George Tzanetakis Randy Jones Carlos Castillo Luis Gustavo Martins Luis F. Teixeira Mathieu Lagrange \n\n SUMMARY:Demo Session \nDemos 3 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080825T154500 DTSTART:20080825T151500 UID:2008-07-04T13:49:54-04:00_45693248@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:TWO CROSS-PLATFORM CSOUND-BASED PLUGIN GENERATORS : Victor Lazz arini Rory Walsh Martin Brogan \n\nVISUALISATION OF MUSICAL STRUCTURE BY AP PLYING IMPROVED EDITING ALGORITHMS : Pierre Hanna Matthias Robine Pascal Fe rraro \n\nCOMPER: TOWARDS A MODEL FOR GENERATING COMPOSITIONS FROM EXPRESSI VE MUSIC PERFORMANCES : Alexis Kirke Eduardo Miranda \n\nADAPTIVE MELODIC S EGMENTATION AND MOTIVIC IDENTIFICATION : Greg Wilder \n\nRHYTHMIC ANALYSIS FOR REAL-TIME AUDIO EFFECTS : Adam Stark Matthew Davies Mark Plumbley \n\nI NTRODUCING ASANNOTATION: A TOOL FOR SOUND ANALYSIS AND ANNOTATION : Niels B ogaards Chunghsin Yeh Juan José Burred \n\nINTEGRATED RECOGNITION SYSTEM F OR MUSIC SCORES : Artur Capela Jaime Cardoso Ana Rebelo Carlos Guedes \n\nC ROSS-POLLINATION: TOWARDS AN AESTHETICS OF THE REAL : Tom Davis \n\nVISUALI ZATION TOOLS FOR MUSICAL TIMING APPLIED TO AFRO-CUBAN PERCUSSION : Matthew Wright W. Andrew Schloss George Tzanetakis \n\nTHE WALKING MACHINE : Per An ders Nilsson \n\nPOLYPHONIC NOTE TRACKING USING MULTIMODAL RETRIEVAL OF MUS ICAL EVENTS : Garry Quested Roger Boyle Kia Ng \n\nINTERACTIVE SWARM ORCHES TRA\, A GENERIC PROGRAMMING ENVIRONMENT FOR SWARM BASED COMPUTER MUSIC : Da niel Bisig Martin Neukom Flury John \n\nTOWARDS BI-DIMENSIONAL CLASSIFICATI ON OF SYMBOLIC MUSIC BY AFFECTIVE CONTENT : António Pedro Oliveira Amílca r Cardoso \n\nPATTERN-SPECIFIC PIANO EXERCISE RETRIEVAL : Min-Joon Yoo In-K won Lee \n\nINTERACTIVE SWARM ORCHESTRA\, AN ARTIFICIAL LIFE APPROACH TO CO MPUTER MUSIC : Daniel Bisig Martin Neukom John Flury \n\nDIGITAL MUSIC COLL ECTIONS: A PLACE OF KNOWLEDGE EMERGENCE ? : Francis Rousseaux Alain Bonardi Benjamin Roadley \n\nA MUSIC LOOP EXPLORER SYSTEM : Sebastian Streich Bee Suan Ong \n\nCONSTRUCTION OF AN ELECTRONIC TIMBRE DICTIONARY FOR ENVIRONMEN TAL SOUNDS BY TIMBRE SYMBOL : Yohei Kobayashi Naotoshi Osaka \n\nMAINTAININ G AND USING PROVENANCE DATA IN COMPUTER MUSIC : John ffitch Julian Padget \ n\nMUSIC AND GESTURE FILE: PERFORMANCE VISUALISATION\, ANALYSIS\, STORAGE A ND EXCHANGE : Stuart Pullinger Douglas McGilvray Nicholas Bailey \n\n SUMMARY:Poster Session \nPosters 1 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080827T154500 DTSTART:20080827T151500 UID:2008-07-04T13:49:54-04:00_283969539@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:INTERACTIVE AUDIO SIGNAL SCRIPTING : Victor Lazzarini \n\nSYNTH BOT:AN UNSUPERVISED SOFTWARE SYNTHESIZER PROGRAMMER : Matthew Yee-King Mart in Roth \n\n{TRANSPELL} : Kazuaki Shiota \n\nSPECTRAL SYNTHESIS AND CONTROL WITH CELLULAR AUTOMATA : JAIME SERQUERA Eduardo Miranda \n\nOUT OF SYNC: A SIMPLE SCORE BASED GUI FOR QUICK CORRECTION IN PERFORMER COMPUTER INTERACT ION : John Chowning \n\nINTERACTION TYPOLOGIES : TRADITIONAL MUSIC INSTRUME NTS VERSUS DIGITAL MUSIC INSTRUMENTS : Paulo Ferreira-Lopes \n\nOUNK - AN A UDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION : Ol ivier Bélanger \n\nUSING THE CORDIS-ANIMA FORMALISM FOR THE PHYSICAL MODEL ING OF THE GREEK ZOURNAS SHAWM : Alexandros Kontogeorgakopoulos \n\nA GAME THEORETICAL MODEL FOR MUSICAL INTERACTION : Grace Leslie Navid Hassanpour \ n\nTHE USE OF MEL-FREQUENCY CEPSTRAL COMPONENTS IN MUSICAL INSTRUMENT IDENT IFICATION : Roisin Loughran Jacqueline Walker Michael O'Neill Marion O'Farr ell \n\nSCORING "HE COLOR OF WAITING"\; AN INTERACTIVE\, MULTIMEDIA SEM I-IMPROVISED PERFORMANCE WORK : margaret schedel alison rootberg \n\nREALTI ME MUSIC PROGRAMMING USING SND-RT : Kjetil Matheussen \n\nTEATRACKS: A DEMO NSTRATION OF AN AUDITORY DISPLAY OF A MULTITRACK SOUND SEQUENCER : julio d' Escriván Jan Trützschler von Falkenstein \n\nSURVEY OF MUSIC ANALYSIS AN D VISUALIZATION TOOLS IN PWGL : Mika Kuuskankare Mikael Laurson \n\nTOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ABSTRACT EXPRESSIONISM ON FIVE PANELS NO.5 : Mathew Adkins \n\nIMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS : Sylvain Le Groux Aleksander V aljamae Jonatas Manzolli Paul Verschure \n\n SUMMARY:Poster Session \nPosters 2 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T171500 DTSTART:20080828T151500 UID:2008-07-04T13:49:54-04:00_936069289@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:THINKING REFLECTIVELY ACROSS CULTURES : Robert Gluck \n\nEVALUA TING THE WIIMOTE AS A MUSICAL CONTROLLER : Chris Kiefer Nick Collins Gerald ine Fitzpatrick \n\nDO YOU SOUND LIKE YOUR FRIENDS? EXPLORING ARTIST SIMILA RITY VIA ARTIST SOCIAL NETWORK RELATIONSHIPS AND AUDIO SIGNAL PROCESSING : Benjamin Fields Kurt Jacobson Michael Casey Mark Sandler \n\nTHE SILENT DRU M CONTROLLER: A NEW PERCUSSIVE GESTURAL INTERFACE : Jaime Oliver Matthew Je nkins \n\nIMPLEMENTATION AND APPLICATIONS OF OPEN SOUND CONTROL TIMESTAMPS : Andy Schmeder Adrian Freed \n\nVICTORIA COUNTS –\; A CASE STUDY WITH ELECTRONIC VIOLIN BOW : Knut Guettler Hans Wilmers Victoria Johnson \n\nDE SIGNING NEW INSTRUMENTS FOR THE HUMAN TOUCH - CASE SORMINA : Juhani Räisä nen \n\nCUANDO CANTO BAJAN LOS CERROS: AN INITIATIVE FOR INTERFACE DEVELOPM ENT INFORMED BY A LATIN-AMERICAN CONTEXT. : Jose I. Lopez Ramirez-Gaston \n \nDESIGN AND DEVELOPMENT OF AN INTERACTIVE SONIFICATION INTERFACE FOR HEARI NG IMAGES : Charles O'Neill Kia Ng \n\nINTERCULTURAL EXPLORATION: THE COMPU TER AND TRADITIONAL MUSIC CULTURES : Mara Helmuth \n\nTHE IMPORTANCE OF HUS SERL'S PHENOMENOLOGY OF INTERNAL TIME-CONSCIOUSNESS FOR MUSIC ANALYSIS AND COMPOSITION : Georg Boenn \n\nVISUAL AND SOUND GENERATION DRIVEN BY BRAIN\, HEART AND RESPIRATION SIGNALS : Jean-Julien Filatriau Loic Kessous \n\nPOP ULARITY OF MUSIC PLAYER PARAMETERS AND FEATURES : Jukka Holm \n\nRESOUND: O PEN SOURCE SOUND SPATIALISATION : James Mooney David Moore \n\nAMBISONICS E QUIVALENT PANNING AEP : Martin Neukom Jan Schacher \n\nA LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC : Peter Hulen \n\nCOMPUTER INT ERFACE FOR STRINGED INSTRUMENTS : Keith McMillen \n\nDIGITAL TIME: COMPLEXI TY AND PERCEPTION : Dante Tanzi \n\nHOW TO MAKE YOUR WIFE LISTEN : Kristine Burns \n\nEQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAIN S: A CASE STUDY OF PRECISION AND SPEED : Leandro Costalonga Eduardo Miranda \n\nTECHNOLOGY\, CULTURE AND LOCATION IN A RECENT NEW ZEALAND SONIC ART PR OJECT : Ian Whalley \n\nCOMPOSING WITH BRAINWAVES: MINIMAL TRIAL P300 RECOG NITION AS AN INDICATION OF SUBJECTIVE PREFERENCE FOR THE CONTROL OF A MUSIC AL INSTRUMENT. : Mick Grierson \n\nOUR RESEARCH FOR LOST ROUTE TO ROOT : Je rome Barthelemy Alain Bonardi Guillaume Boutard Raffaele Ciavarella Alex Mi kroyannidis Bee Ong Kia Ng \n\nADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SP ATIAL MUSIC PERFORMANCE : Enda Bates \n\nNOVEL PERCUSSIVE INSTRUMENT DESIGN –\; CONVERTING MATHEMATICAL FORMULAE INTO ENGAGING MUSICAL INSTRUMENT S : Katarzyna Chuchacz Roger Woods Sile O'Modhrain \n\n SUMMARY:Poster Session \nPosters 3 END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T171500 DTSTART:20080826T151500 UID:2008-07-04T13:49:54-04:00_44186455@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:REINVENTING AUDIO AND MUSIC COMPUTATION FOR MANY-CORE PROCESSOR S : David Wessel \n\nMULTICORE TECHNOLOGIES IN JACK AND FAUST : Yann Orlare y Stephane Letz Dominique Fober \n\nIS MUSIC AUDIO PROCESSING EMBARASSINGLY PARALLEL? : Roger Dannenberg \n\nA COMMENT ON MANY-CORE COMPUTING AND REAL -TIME AUDIO SOFTWARE SYSTEMS (2008) : Ge Wang \n\nTHE CHALLENGES AND OPPORT UNITIES OF MULTIPLE PROCESSORS: WHY MULTICORE PROCESSORS ARE EASY AND INTER NET IS HARD : Peter van Roy \n\nTHOUGHTS ON PARALLEL COMPUTING FOR MUSIC : Miller Puckette \n\n SUMMARY:Panel Session \nPanel 1: Reinventing Audio and Music Computation fo r Many-Core Processors END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080826T171500 DTSTART:20080826T151500 UID:2008-07-04T13:49:54-04:00_912668713@richard.asmallorange.com DTSTAMP:20080704T134954 DESCRIPTION:TOWARDS AN INTERCHANGE FORMAT FOR SPATIAL AUDIO SCENES : Gary K endall Nils Peters Matthias Geier \n\nASDF: AUDIO SCENE DESCRIPTION FORMAT : Matthias Geier Sascha Spors \n\nPROPOSING SPATDIF - THE SPATIAL SOUND DES CRIPTION INTERCHANGE FORMAT : Nils Peters \n\nINTERCHANGE FORMATS AND THE A RT OF SPATIAL AUDIO : Gary Kendall \n\nSPATIAL AUDIO AUTHORING AND RENDERIN G: FORWARD RESEARCH THROUGH EXCHANGE : Gabriel Gatzsche Frank Melchior \n\n CONTROLLING SPATIAL SOUND WITHIN AN INSTALLATION ART CONTEXT : Trond Lossiu s \n\nCONDITIONS FOR DEVELOPMENT OF AN INTERCHANGE FORMAT FOR SPATIAL AUDIO : Eric Lyon \n\nINTERCHANGE FORMATS FOR SPATIAL AUDIO : Steven Travis Pope \n\n SUMMARY:Panel Session \nPanel 2: Towards an Interchange Format for Spatial Audio Scenes END:VEVENT BEGIN:VEVENT SEQUENCE:0 DTEND:20080828T171500 DTSTART:20080828T151500 UID:2008-07-04T13:49:55-04:00_604493942@richard.asmallorange.com DTSTAMP:20080704T134955 DESCRIPTION:TELEMATIC MUSIC – RESTRICTIONS AND ADVANTAGES COMPARED TO TRA DITIONAL ONE-SITE MUSIC EVENTS : Jonas Braasch \n\nREMOTE 3D-AUDIO PERFORMA NCE WITH SPATIALIZED DISTRIBUTION : Winfried Ritsch \n\nTHE NETWORKED PERFO RMANCE PROJECT FOR "LO SPECCHIO CONFUSO DALL’OMBRA" BY ROBERTO GIROLIN : Antonio Camurri Corrado Canepa Paolo Coletta Simone Ghisio Roberto Girolin Gualtiero Volpe \n\nNETWORKED SONIC SPACES : Joy Jerome Sinclair Peter \n\n NETWORK DRAMATURGY: BEING ON THE NODE : Pedro Rebelo Franziska Schroeder Al ain Renaud \n\nRICHARD WAGNER WAS THE FIRST NETWORK ARTIST : Andrew Gerzso \n\nREAL-TIME COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS : Geor g Hajdu \n\nNETWORKED MUSIC: LOW AND HIGH TECH : Pauline Oliveros \n\nTAPPI NG INTO THE INTERNET AS AN ACOUSTICAL AND MUSICAL MEDIUM : Chris Chafe \n\n COMPOSING FOR RELATIVE TIME IN DISTRIBUTED PERFORMANCE : Robert Rowe \n\nNO T BEING THERE : Miller Puckette \n\nMUSIC THAT LISTENS TO WHAT'S GOING TO H APPEN: INTERNET ENHANCED\, SELF-ADAPTING SOUNDSCAPES : Andrea Cera \n\n SUMMARY:Panel Session \nPanel 3: Network Performance END:VEVENT END:VCALENDAR